Graded Unit – Boards

The brooch has been named ‘Eldfell’ which is Icelandic for ‘Mountain of Fire’. The main frame was inspired by an Icelandic mountain I photographed on my travels, therefore the name seemed appropriate. I wanted the squares to drape and tower over the frame, an idea which was inspired by the towering lava cliffs in Fuerteventura, overlooking the ocean. The yellow ties in with my overall theme this year, however, it also symbolises ‘Happiness’ and promotes positive energy, which fits well as I wanted the piece to reflect not only the places I visited and was inspired by, but the feelings I also had being in these beautiful, scenic countries. The following boards are an overview of the entire process.

Summary of Research

research board - Stevie

Summary of Development

development board

Summary of Final Design

Eldfell Final Board

Stevie

Graded Unit – Eldfell

After a long design process and a few hick-ups which meant designs needed to be re-visited, I finally got a finished piece! I know my finishing of my pieces definitely needs work and it’s rather frustrating that I have not quite nailed that yet, the design however, I am happy with, despite the set backs.

final1

  • 2mm Square wire frame.
  • 0.7mm silver sheet used for square forms and support for cast element.
  • Cast element with 3 resin-filled compartments. (I attempted to set a 3mm citrine stone, however, with this being a new stone setting method it unfortunately didn’t go to plan. As I was chiselling out metal to make a ledge for the stone to sit in, the supporting wall which would be used to secure the stone in place kept crumbling away. Very disappointed with this but there is nothing I can do about it now).
  • I mixed a yellow resin paste to my resin mixture and applied this to the 3 compartments and the odd geometric shape with the square forms.
  • I cut little cubes from the 2mm wire and added this to the frame.
  • I used tube which I sliced into to create the decorated rivet effect.

final2

  • Steel wire has been used for the brooch pin.
  • I added a silver wire beam to form the squares over, adding more depth and stability to the piece.
  • I coated the back of the geometric shape and the sheet silver in yellow pigmented resin also, as I wanted to add an element of interest to the back as well as the front.
  • The square forms were given a satin finish using a frosting wheel as I’m not fond of a high shine finish.

Stevie

Sense of Place – Final Pieces

I’d taken inspiration from a ‘Feeling’ of place rather than a physical place itself. I wanted to use that feeling of freedom and escapism and translate that into a piece of jewellery. On my adventures, I discovered that this feeling was at its strongest when by the ocean. My favourite moments of my Fuerteventura holiday were when I was sitting up on the edge of the rocky cliff face overlooking the sea. There was something very peaceful about this followed by this overwhelming feeling of getting lost that I felt inspired to pursue this with my designs. I looked at the contrast between the harsh lava rock formations that towered over a peaceful ocean and began designing from here. I traced shapes from photographs I’d taken of the cliffs, lava rock and patterns I’d found in the waves, ground and other surroundings, finding shapes to begin designing with.

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Although the brief asked for just one final piece, I have created two (and just finishing a third!). Here they are:

Earrings:

These are made with silver and resin.

The first piece is a pair of earrings. I created a fold form of squares with an odd, geometric shape. I covered this shape with a thin layer of resin which I’d given a grey pigment. I used the frosting wheel to give the fold form element some light texture and a matt finish. I used square wire for the stem and for the stud element I used a piece of cast lave rock which I sawed into two parts. I’m overall very pleased with these. I’ve added depth, texture and a pop of colour. They are comfortable to wear but also sit nicely and are just the right length. I still need to work on my square piercing and filing technique, along with folding them so it’s a nice, clean fold with no bending in any other areas. I feel for this piece I did that well.

earrings1

 

Brooch:

Made using silver, resin and steel.

My second piece was quite challenging. I created a geometric frame which I then added an extra piece of wire to for added structure as I wanted to create a towering effect (like the cliff face in Fuerteventura overlooking the ocean). I pierced out my square form and after cleaning up with emery paper and needle files I gave it a satin finish and some light texture using a frosting wheel. I then used the score and fold method to give the piece some dynamic. I mixed resin with a grey pigment and coated the two geometric shapes hiding amongst the squares to add a pop of colour. I riveted this square formed piece to the frame. I used some fine square wire to create a claw setting, holding a piece of cast lava rock into place, which I oxidised with liver of sulphur. I used steel wire for the brooch pin.

 

A third piece is currently being completed.

Stevie.

 

Sense of Place – Sketchbook Development

I’m really liking the direction I’m taking with the sketchbook, although still LOADS of ideas I’m trying to get down on paper! Here’s a few shots of sketchbook development. I’ve been doing a little 3D printing relating to my sketchbook work. Seeing the pieces come to life really helps with seeing the potential outcome and what does and doesn’t work. Still lots of work to do! I’m currently looking at potential earring or pendant frames as well as some 3D faceted shapes. Excited to keep pushing these ideas further to see what I come up with. I’ve been using CAD software Rhino to create these pieces, I then saved them as STL files and connected the PC to my 3D printer. (The 3D printer isn’t anything crazy, can’t afford that! However, it does what I need it to; gauge the size of a piece and see what does and doesn’t work and what I can change). The print isn’t clean like with a wax filament (the printer uses PLA), however, with some of the designs, I am able to emery and file them down to a smooth surface. I will attempt to create some rubber moulds and test if this works and the small pieces I can attempt to cast, so long as the pieces can be cleaned up enough. If I find a design I am particularly happy with but doesn’t clean up well enough for either process then I can send the file to shape ways to print.

 

I’ve made some mock up frames by hand. First I used 2mm round copper wire, I put this through the draw plate to make the wire square (I love this machine!). I then used a ruler to mark where I wanted to score the meal to create the desired shape. I used a triangular needle file to manoeuvre the metal into shape and soldered into place. I made a few random designs to test out the process.

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I then went on to test this design with silver square wire, gave the frame a satin finish using the frosting wheel, then continued to fill them with resin which I mixed with a grey pigment. I really liked the larger frame design and was curious to see how this would look as a piece of jewellery and if it would sit well e.t.c. Safe to say I am really happy with the silver sample, the way the earrings sit is how I’d hoped. Need a clean up though and would take more care in making the frame and adding the resin. This was all done by hand and quite tricky getting the pair to exactly match (as I didn’t measure properly with the ruler), so again, would spend more time and care on this process. This is a very early design so looking to progress further but a lovely pair to keep for myself!

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Some sketchbook development work below to show my process and how I’ve gotten to this stage.

Taking inspirational images and tracing shapes from them. Giving them more angles and then manipulating them by layering or cutting in half to generate potential pieces of jewellery. So far I’ve just touched on a few pendant and earring designs, but still a lot more to try out along with potential rings/brooches.

Stevie

Experimental Techniques – Materials

Over the last few weeks I have been experimenting with a number of materials. Although I am not done yet as I still want to experiment with concrete, etching and water casting. My torch at home is great but doesn’t work so well when it comes to water casting (unless it’s tiny pieces of silver), so this is something I’m looking forward to attempt in class. I have also purchased a small amount of pewter to melt down and experiment this technique with.

Materials I’ve experimented with so far:

Enamelling – This is the main material I have been getting to grips with, mainly because it needs to be incorporated into the final pieces for the Street brief and secondly because I am not all that good at it. I’ve also come to the conclusion that although I love how enamel looks in other jewellers’ work, it is not something I like to use in my own. I am looking forward to saying “Sayonara!” to this one!

 

Resin – A fond favourite of mine. I recently discovered dyes to add to the clear resin I am used to working with and it allows for many options. I’m really enjoying sampling resin and have sketched out and played around with a few ideas so far. (below I have riveted a piece of resin onto a hammered, silver ring shank. The rivet has been neatened up since taking this picture. I created a cuboid shell using copper and then melted tiny chips of silver on all sides to achieve this look – a great way to use up scraps, add texture and is an inexpensive way to use silver. I filled the cuboid shell with dyed resin and let cure for 24hrs. Colin was then able to slice some thinner pieces off for me using the band saw).

 

Porcelain – I’m at the very early stages of using this material. So far I have only shaped little bits into my desired elements and I’m looking forward to adding colour to them and cleaning them up. I’m unsure as to how I could attach them to a piece, perhaps pins to hold in place or glue some of them together? I’ll experiment some more when these pieces have been fired and coloured. So far I really like this material and am very excited at the possibilities!

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Wax Carving – I love wax carving. There is something very therapeutic about it and the way the technique works, going from a wax carving to a solid silver piece is so fascinating. I have carved out some pieces from scraps of a block I had stored away (how handy!) and will cast these as I think they could possibly make an interesting element to my final pieces. They need a little tidying up first!

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I still have a lot of ideas to experiment with so continuing on in the sketchbook!

Stevie